Artist Bios

Photo: Sebastian Palencia

Eric Cheung

Eric Cheung is a street dance and inter-disciplinary artist based in so-called Vancouver, on the unceded territories of the xwməθkwəy̓əm, Skwxwú7mesh and Səl̓ílwətaʔ/Selilwitulh Nations. Eric has cultivated a singular approach to movement with his base and specialization in Popping, incorporating outside influences and other dance styles recognised nationally and internationally.

Eric is a company member of Ouro Collective, a street dance contemporary company, partaking in the creation process of HAKO, SOTTO51, Fire06, and 7y98D (Stage / Film) in collaboration with RubberLegZ.

Eric explores different mediums to further expand the boundaries of street dance in film, theatre, new media, fashion, and Virtual Reality (VR). Projects include E_GO, I(n)finite, Re:1974, iye, iyeism, ALT, Diverge, Liminal, and Null. Eric has been featured on numerous platforms and festivals, such as Nowness, Booooooom, Vimeo Staff Pick, and AestheticaFestival.  Eric has collaborated with Acronym, Ouro Collective ASUS, Montecristo Mag, Destroyers, Hermitude, CBC Arts, Spencer Badu, Lulu Lemon, Company 605, and RubberLegZ.

Photo: Audrey Bow

Nick Miami Benz

Shapeshifter. Storyteller. Self. Nick Miami Benz moved to New York City to attend dance school studying Afro, Latinx, Indigenous dances. They worked as an equestrian for The Metropolitan Opera between studying, auditions and gigs. Nick decided to broaden their ability to tell stories studying Method and Meisner technique, pursuing acting for film. Nick is currently working on Lurch with Mascall Dance, Axis Theatre and other arts organizations in Vancouver. They are also pursuing film, tv and voice over with Principals Talent. Nick Miami Benz is also a certified Gyrotonic(R)/Pilates instructor with a special interest in physical therapy.  

I am a dancer at heart, it is my identity and my work comes from a place of understanding the physical senses of the body.  I see stories as medicine that elevate our consciousness and heal lost parts of ourselves. Most of my work is influenced by Black, Indigenous and Latin dances and how they have moved through the world to influence popular culture today. Acknowledging BIPOC contributions through my movement practice is my foundation. Acknowledging the land and how it has informed me, creates the character choices in my work. I’ve grown to tell stories through acting, voice and writing, embodying characters and representing a demographic that is rarely seen in the media.