Jhoely Triana (Vancouver)

Memorias

Jhoely Triana

BIO - en francais

Jhoely Triana, née en Colombie, est une danseuse et chorégraphe de flamenco basée à Vancouver. Jhoely a été formée à la Goh Ballet Academy, a obtenu un baccalauréat en beaux-arts en danse contemporaine à l'Université Simon Fraser, et poursuit maintenant son développement artistique avec le mentorat de Kasandra "La China" et Oscar Nieto à Al Mozaico Flamenco. Depuis 2016, elle s'est produite au Victoria Flamenco Festival, au Vancouver International Flamenco Festival, au 12 Min Max et Open Stage du Dance Centre, au Kitsilano Showboat et à divers événements communautaires et vitrines. Au cours de la dernière année, Jhoely a également étudié avec Rapico (José Carmona - Madrid) et El Farru (Antonio Fernandez Montoya - Séville). Le travail de Jhoely met l'accent sur la connexion avec le public par l'authenticité de l'émotion et la vulnérabilité. Elle se produit régulièrement au Kino Cafe et au East is East Restaurant à Vancouver.

BIO - English

Jhoely Triana, born in Colombia, is a Vancouver based flamenco dancer and choreographer. Jhoely trained at the Goh Ballet Academy, completed a Bachelor of Fine Arts in Contemporary Dance at Simon Fraser University, and now continues her artistic development with the mentorship of Kasandra "La China" and Oscar Nieto at Al Mozaico Flamenco. Since 2016, she has performed at the Victoria Flamenco Festival, Vancouver International Flamenco Festival, the Dance Centre's 12 Min Max and Open Stage, Kitsilano Showboat and various community events and showcases. Over the past year, Jhoely has also been studying with Rapico (José Carmona - Madrid) and El Farru (Antonio Fernandez Montoya - Sevilla). Jhoely's work emphasizes connection to audience through authenticity of emotion and vulnerability. She performs regularly at the Kino Cafe and East is East Restaurant in Vancouver.

Photo credits: Juan Contreras Photography

Crédits photos: Juan Contreras Photography

Jhoely développera ce travail au cours du programme DADAO 21-22

Jhoely will be developing this work over the 21-22 DADAO program

Photo credits: Juan Contreras Photography

Crédits photos: Juan Contreras Photography

Arboles (Trees)

Description - English

Arboles is a triptych of solos that revolve around the concept of the memories. It uses the metaphor of trees to represent how we must honor our roots and gather strength from our past to reach new heights so that we can share our lived experiences with our community and spread the seeds of empathy and compassion. The project is a personal reflection of changes in our urban spaces, loss of a loved one and connection to ancestral struggles which are topics that many can relate to. It showcases three different flamenco song forms interpreted and/or choreographed by Vancouver flamenco dance artist Jhoely Triana.

“Cambian Los Tiempos” is a traditional flamenco song form of Solea por Buleria danced on a tree stump to symbolize the connection to my roots and to flamenco tradition while focusing on contemporary issues of environment and deforestation. As urbanspaces continue to develop, more and more trees are cut down or become sick and die. Flamenco dancers have a strong connection with wood through our rhythmic footwork on a wooden dance floor. Solea por Buleria is a song form that has force and strength like wood as well as moments of softness and flow like leaves blowing in the wind. Through this dance I honor the trees that have died by connecting my feet and legs to their roots and using my arms and hands as branches and leaves. This choreography was made possible with a Canada Council professional development grant to work with choreographer Jose Carmona from Madrid, Spain via Zoom over the winter of 2020.

The other two pieces are my own original choreography and are contemporary flamenco. Both of these were developed at the Dance Centre through the 12 minutes max program and reboot grant program in Spring 2021. “Mi Piel” is about memories that the body holds, like the rings of a tree, the body tells a story. Even though we may have overcome a loss, the memories still bring us back to the sadness. It is a contrast between grief over losing a loved one and the joy and happiness in my own marriage. I dance in my wedding dress which represents my skin - my memories and my hopes. This piece is guajira and buleria.

The second piece, a seguiriya, “Perseverancia”, is about perseverance and overcoming injuries, setbacks, isolation and hardship and connecting with my ancestors’ struggles. Reaching through my roots to find the strength to reach new heights. Using my dance as a way to share my lived experiences with my community allows me to spread empathy and compassion. We all struggle and we all can persevere. We may struggle in different ways but I hope to show others they are not alone, planting the seed of compassion.

These pieces can be performed separately or as a collection and can be performed live to recorded music or can be adapted to have live flamenco musicians. There is flexibility to adapt these pieces to outdoor site specific formats or to a stage setting. This program is 30 minutes long as a solo performance but can be adapted to present a 45-60 minute long flamenco ensemble showcase that includes these three pieces along with additional dance and music numbers with live musicians.

English

Key Artistic Collaborators

Composer: Haolin Jiang, Peter Mole and Miguel de la Tolea

External eye - cultural mediation: Oscar Nieto

Audience: General

Length in minutes: 30 min solo with recorded music. 60 mins with live musicians including additional numbers and live musical interludes.

Space required: Minimum space of 9’ wide x 9’ deep, all flat surfaces. Interested in exploring wooden docks, boardwalks, large tree stumps, and outdoor stages

Preparation required: 30 minutes before the performance. Require 2 hour rehearsal a day before in the space to test out the surface and adjust spacing.

Disassembly: 15 min

Minimal on-site technical requirements:

- Portable PA Sound System Speaker to plug in two microphones for live musicians, supplied by the broadcaster or by the artist (at the broadcaster's expense)

- Wood floor measuring approximately 3 'by 3', provided by the presenter or by the artist (at the presenter's expense)

- Presence of a technician (help with sound, connection, assembly)

- 3 chairs

- 2 microphones and one monitor

- Lodge: Small space to change and warm up.

Possible Community Engagement Activities:

- Post-show discussion

- Flamenco workshop:

Introduction to Flamenco lecture and dance class workshop

Intro to Flamenco - All Ages/Abilities (1-1.5 hour)

This class is tailored for anyone who wants to know more about flamenco but has never danced before. In this easy to follow class you will be introduced to the various elements of flamenco and will learn some basic steps and concepts such as hand and arm movement, hand clapping, marking steps and footwork. Come learn about flamenco so you can better appreciate it next time you watch it live or online.

Intro to Flamenco - For Dancers (1-1.5 hour)

Do you already have a dance practice in another dance form but are interested in learning more about flamenco? This class will introduce you to the various elements of flamenco including some basic steps and concepts such as hand and arm movement, hand clapping, marking steps, footwork and elements of improvisation. Come learn about flamenco so you can better appreciate it next time you watch it live or online and see if it is something you want to incorporate into your own dance practice.

Availabilities: Spring 2022, Summer 2022, Fall 2022

Number of performers on tour: 3

Number of support staff on tour:

Contact: Jhoely Triana, jhoelytrianaflamenco@gmail.com

Website: www.jhoelytrianaflamenco.com

Facebook: jhoelytrianaflamenco

Instagram: jhoelytrianaflamenco