Photo: Sophia Wolfe
Soup of Forgetfulness
Soup of Forgetfulness is a solo inspired by the Taiwanese Folklore myth, Mong-Po-Tang, about the afterlife and process of reincarnation.
In the myth of Mong-Po-Tang, the bridge of Helplessness is the portal of rebirth. To go forward, one must drink a mysterious soup offered by Mong Po, known as the Soup of Forgetfulness. As the soup enters one’s system, it erases every memory she has of her past life. All her relationships, accomplishments, regrets, and wonders fade away with each step she takes crossing the bridge. All her longing, love, hatred, and grief dissipate as the soup works its way into the body. By the time she arrives at the other side of the river, she is reborn, as a blank canvas. Innocent. Free and liberated from the past.
Soup of Forgetfulness harnesses Juolin’s curiosity about the space between the living and the deceased and the grey zone between remembering and forgetting.
Soup of Forgetfulness opens with a piece of fabric draped from the back wall, with a hand emerging through the fabric. Acting as a guide into the underworld, the hand is the gateway to introducing an alternative logic, and set of roles inhabiting this alternative reality of the deceased. Throughout the piece Juolin shape shifts through different characters (such as an old lady doing laundry by the river, a cat licking, cleaning its paw, and a gang member smoking at a back alleyway) providing glimpses of lives one has previously lived. Towards the end of the piece, with thrust, effort Juolin indulged in the chaos of the ever-shifting emotions before finally arriving at the foot of the bridge where relinquishment, uncertainty, allowance, awaits with the mysterious Soup of Forgetfulness.
Photo: Sophia Wolfe
Project Created by: Juolin Lee
Key Artistic Collaborators:
Lighting designer: Chengyan Boon
Outside eye support: Shion Skye Carter
Mentor: Natalie TY Gan
Performance type: This work is built for the theatre & adaptable to outdoors/alternative venues
How do you define this work: Dance theatre inspired by Taiwanese folklore myth. For audiences in all ages, family, kids friendly.
Length of performance: 34 minutes - mixed program
Audience type: General Audience, Children/Family
General Technical Requirements: Basic lighting hang, sound system, back wall upstage, extension cords or outlet downstage right. Preferably wood or Marley floor open to other floor type.
Alternative Venues/Spaces/Outdoors: The duration of the work is flexible to be adjusted shorter. I’m highly interested in exploring the possibility of setting and remounting this work in the outdoors or an alternative performance venue. In the piece, I interact with inanimate objects as well as my physical surroundings. I’m curious to experience what different spaces inspire, and the yet to be discovered ways to relate and dance with the environment. The work is designed to be adaptable to my surroundings. I am curious about where and how the cultural Mong-Po-Tang tales meet my curiosity about life and death. And how our present physical reality can extend beyond a traditional theatre venue, just as the afterlife and the unknown extend beyond our daily reality.
Required amount of time for tech set up: 4 hours
Number of Performers on tour (including choreographer): 1
Number of Support Staff on Tour: 2
Availabilities: 2025 Spring Season (Mar - Jun), 2025/26 Season
Juolin Lee
Juolin Lee is a Taiwanese-Canadian dance artist who is fascinated by the transformative power of dance. She feels fortunate to live, learn and work on the unceded territories of the Musqueam, Squamish and Tsleil-Waututh Nations.
Juolin seeks to connect to her surrounding environment, both the living and nonliving matter she shares space with. She draws inspiration from the everyday life and the physical space she inhabits. Opening her senses to each unique environment she inhabits, her pieces are often heavily influenced by the characteristics of a physical space. She opens her sensory to her environment, the temperature, the texture of the different surfaces, the marks and history left unattended. Then her imagination develops stories from the sensations that come up. In addition to that, she often partners with inanimate objects, creating tales, and ever shifting relationships between herself and materials. Her nonliving dance partners have previously included a toaster oven, in Juolin and the Toaster, a rice cooker in Luna.
Juolin wishes to invite her Taiwanese cultural perspective into conversation with her western dance training. Through imagination, she desires to journey through the shifting landscape with ever changing emotions. Through openness and curiosity, she wishes to continuously unpack her idea of self and her relationship with the world.
Performance History & Upcoming Performances
The development of Soup of Forgetfulness was supported through the Foray Residency at Morrow (a 28 ft * 24 ft white box venue in downtown Vancouver) by Odd Meridian Arts Society in December 2023 and January 2024.
Oct 18th 4pm, Antler Ridge Dance Studio (Salt Spring Island) Showing. 30min showing and 30 min discussion/feedback session.
Project Details
Community Engagement
I am interested in hosting gathering to exchange traditional, cultural stories and tales. I wonder if there’s ways to invite, center and learn from the indigenous community and their traditional myths in a respectful, honourable way.
Outreach Activities
2 hours movement and voice workshop for dance artists and/or for the public. In the development of Soup of Forgetfulness, character embodiment and state work were a heavy part of the research. I am excited to share and continue to workshop these ideas in a class/workshop setting through voice, body, and facial exercises. With experienced dancers I will weave in physically challenging tasks and creative prompts, as well as discussion about the creative process. In this context, I’d like to engage with experienced dancers aged 16 and up. As for the workshop held for the public, I will shift the focus to a more general, relatable embodiment experience, focusing on the more accessible elements such as the facial explorations. In this context everyone is welcome. Either way I think the workshop can be a space to have fun and for questions and exchange!