MAINSTAGE 2026-27

gently divine, violently disorienting

“gently divine, violently disorienting” is an interdisciplinary, design-led performance piece that examines the collaboration between technology and the performer as co-authors. Inspired by Legacy Russel’s “Glitch Feminism,” GDVD depicts the ways queer individuals can manifest their own ideas of becoming by abstracting the ways they are perceived. Using live camera work, projection, and a digital “loop-pedal”, the performers create compositions using their bodies in real time, in an attempt to introduce new versions of themselves that exist in a digital reality. In doing so, technology acts as a fellow dance partner on stage, allowing them to reveal new freedoms of self expression, and expand our definition of what a “body” can be. Set in the intersection of reality and digital space, this piece engages in the act of redefining the body, challenging our perceptions, and celebrating the process of stepping into our own authenticity as queer people. Blending forms of theatre, dance, and film, GDVD displays this relationship to technology as a tool to depict the process of becoming ourselves, and to subvert and embrace what it means to be perceived.

Alexandra Caprara

photo Alexandra Caprara

TRAILER

ARTIST BIO

Alexandra Caprara is a queer interdisciplinary artist from Toronto, Ontario whose practice is grounded in performance making and design for dance and theatre. She is the director and creator of Ultra Violets. As an artist, her practice centers movement and design lead creation, with a focus on the interactivity between performers and design technology, often treating her designs as an extension of the body, and the choreographic score of her work. Throughout her career she has worked internationally as a director/ creator, performer, and designer for lighting and video projection, and has presented her work across Canada alongside companies such as WorkMan Arts, New Works Dance, Theatre Replacement, High Performance Rodeo, and GoodWoman Dance. Her most recent dance work, “Ultra Violets”, premiered at IndieFest in 2024, with a lecture and excerpt of the work also presented at the Prague Quadriennille Technologies Symposium in 2024. Additional credits include the direction and creation of “EVREN” (Edinburgh Fringe Festival); lighting design for “Song from the Uproar" (City Opera Vancouver); and projection design for “A Silent Howl” (Dancing on The Edge; Convergence Festival). She also recently presented at the Prague Quadrennial “Technologies” Symposium, where she presented her research and innovative design lead practices used to create Ultra Violets. She currently resides in Vancouver where she recently completed her MFA in interdisciplinary arts at Simon Fraser University.

Performance History & Upcoming Performances

GDVD is set to have its world premiere in March 2027 with New Works Dance at the Roundhouse theatre. This also includes a work-in-progress showing in January 2027, at the Roundhouse.

Project Created by: Created by Alexandra Caprara in collaboration with Kira Radosevic, Erika Mitsuhashi, Sarah Finn, and Jami Riemer.

Key Artistic Collaborators: Director: Alexandra Caprara
Dancers: Kira Radosevic, Erika Mitsuhashi, Sarah Finn
Composer: Jami Riemer
Video and Lighting: Alexandra Caprara

Performance type: THIS WORK IS BUILT FOR THEATRE

How do you define this work: Dance, Multi-discipline, digital/ live mixed reality, experimental, performance art

Length of performance: 60

Audience type: "Mature Content (18+ i.e. includes nudity, foul language) "

Number of Performers on tour (including choreographer): 5

Number of Support Staff on Tour: 1

Availabilities: 2027 Spring Season (Mar - June),2027/28 Season,2028/29 Season

Project Details

Community Engagement

General Technical Requirements: All tech for this perofmance is run from on stage, in real time by designers Alexandra Caprara and Jami Reimer. This includes a video set up of one projector focused to a white surface or wall, and two live-feed cameras connected to a show laptop. Lighting includes the use of LED fixtures, including conventional film lighting fixtures, as well as the use of one 50Deg Source Four on a dolly, which requires a 50' extension cord. Audio requirements include use of stereo sound, and access to a subwoofer when possible

Required amount of time for tech set up: This piece requires 2-3 hours of set up.

We currently do not have plans for this at this time.

Outreach Activities

This project does not currently have any dedicated outreach activities beyond our open work-in-progress and talk back at the Roundhouse in January, 2027. This will include an afternoon of informal discussion, conversation, and a presentation of the work for free.