MAINSTAGE 2026-27
Us Benneath the currents
Us Beneath the Currents is an interactive performance-installation that transforms public space into an imagined underwater world. Inspired by marine ecosystems, climate change, and speculative evolution, the project invites audiences to imagine a future where humans have adapted to life beneath rising waters.
Using real-time body tracking technology, live dancers generate responsive digital projections that evolve and transform as they move. Projected imagery includes hybrid underwater creatures, flowing wave patterns, coral-inspired structures, and abstract visual forms that blur the boundary between human and marine life. Rather than functioning as a fixed animation, the visuals respond directly to performers in real time, creating a living digital ecosystem that changes throughout the evening.
Presented after dark, the work uses light, motion, and projection to activate the nighttime environment. Audience members witness performers transforming the projection surface through movement, creating an immersive experience that encourages curiosity, wonder, and play. Following scheduled performances, visitors are invited to enter the installation space themselves and interact with the projection system, experiencing how their own bodies generate and influence the digital environment.
Sarah Hin Ching U
photo Carla Alcantra
TRAILER
ARTIST BIO
Sarah Hin Ching U 余衍晴 (she/her) is a Chinese-Canadian dance artist who moves between contemporary dance, breaking, hip-hop, and emerging technologies. Her work is rooted in lived experience and personal curiosities, attentive to the desires and contradictions that shape human life.
My work has been presented by Dancing on the Edge (Vancouver), National Arts Centre, Capsule: Video series (Ottawa), The Dance Centre (Vancouver), NewWorks (Vancouver), REvolver(Vancouver), DanceWorks (Toronto), Toes For Dance (Toronto), Skampede (Victoria), Victoria at Dusk, Free Flow Dance Theatre (Saskatoon), Good Women Dance(Edmonton) among others. I have been awarded residencies at Circuit est (Montreal), Toronto Dance Theatre, Dance Arts Institute (Toronto), Mocean Dance (Halifax), Impulse Theatre (Victoria), City of Port Coquitlam, ArtStarts (Vancouver), and Plastic Orchid Factory. Other notable performing/creation credits include 10GatesDancing (BBoy Crazy smooth/ Saffron Saxon), Danse Carpe Diem/Emmanuel Jouthe (Montreal) ,Jackie Latendresse (Saskatoon). I graduated from Simon Fraser University in 2021 with a BFA in dance and kinesiology, and have trained/battled/ performered in Hip Hop, Breaking and Popping with Higher Ground Dance Company (Natasha Gorrie)
Performance History & Upcoming Performances
New Works XR Residency (2023)
Toes for Dance Residency & Presentation, Toronto (2024)
The Dance Centre – DanceLab Residency (2026)
Victoria at Dusk Festival (2026)
Toronto Dance Theatre Residency (2026)
(Currently in development with CCA grant)
Project Created by: Sarah Hin Ching U
Key Artistic Collaborators: Key Artistic Collaborators
Sarah U — Choreographer, Performer, Creative Director
Tegvaran Sooch — Creative Technologist
Alexandra Caprara — Installation and Scenographic Design
Marianne Gagnon- assoicate scenic designer, costume designer
Sarah U, Tegvaran Sooch, Kaili Che, Jaqueline Ritter - dancers
composer TBD
Performance type: THIS WORK IS BUILT FOR OUT-OF-DOORS OR ALTERNATE VENUES/SPACES
How do you define this work: dance installation, augmented reality, projection, mulitmedia
Length of performance: 35-45 minutes
Audience type: Children/Family ,General Audience
Number of Performers on tour (including choreographer): 4
Number of Support Staff on Tour: 1
Availabilities: 2027/28 Season,2027 Spring Season (Mar - June),2028/29 Season
Project Details
Community Engagement
General Technical Requirements: Projection surface(s) (PVC pipe + corrugated plastic, provided by artist)
1–3 high-lumen projectors (provided by artist))
Laptop running ITouchDesigner (provided by artist))
Sound playback system
Blackout or low-light conditions preferred
Open performance area with unobstructed projection
Level dance surface preferred
Required amount of time for tech set up: 1-2 hours
Alternative Venues: Us Beneath the Currents is designed to be adaptable for galleries, warehouses, and outdoor festivals. The work can be scaled to accommodate different technical capacities and presentation contexts.
The performance requires a level performance surface and sufficient space for set pieces and projection. Low-light or nighttime conditions are preferred to maximize projection visibility, making the work well suited for evening festivals and light-based events.
Depending on the venue, the project can be configured using one or multiple projection surfaces to create an immersive environment. The installation can also incorporate audience circulation, encouraging visitors to move through and experience the work from multiple perspectives.
Community engagement is embedded within Us Beneath the Currents. The work is designed as an interactive installation where audiences are invited to enter the space before and after the scheduled performance, experiencing the movement-responsive technology firsthand.
Using real-time body tracking and projection, visitors can experiment with how their movements generate and transform the digital environment. This open format encourages curiosity, play, and discovery while making interactive technologies more accessible to audiences of all ages and levels of dance experience.
Following this period of public exploration, performers activate the installation through a choreographed performance. Community participation can be offered as a drop-in experience before performances or as part of an open-house event.
Outreach Activities
workshops, artist talks, lecture demonstrations, and movement laboratories exploring the intersection of dance and technology.
For example:
Introduction to movement-responsive technology
Demonstrations of body tracking and projection systems
Contact information