MAINSTAGE 2026-27
What is us & eternal
What is us & eternal is an interdisciplinary dance work by Rachel Helten and Ezequiel Peralta exploring the boundless, fluid, and multi-dimensional nature of love—el amor—as a force that transcends time and space. Drawing from movement, text, visions, and spirit, this piece reflects on love as a place of metamorphosis, memory, and eternal return.
El río no pide permiso para correr… The river does not ask permission to run, it simply flows, receiving all waters that reach it. Love, too, does not grasp; it gives without demand, it moves like una sustancia líquida amniótica cósmica, embracing all in its path. An oceanic womb. An enduring sea of love.
When flesh fades, love does not die. It becomes light, ether, presence in the unseen. It sings in memory, blooms in the earth, pulses through blood. Amar es ser amado. To love is to be loved.
In a world of impermanence, love is the thread that binds, the substance of all that is. In every realm it is the melody that transforms and creates. This is a dance for all that is felt, lost, remembered, and eternal.
This work has carried deeper meaning since its first presentation, as it was the last performance Rachel's mother saw before her passing.
"It now reflects a transformed understanding of the transcendent nature of love, one that lives in the marrow of my bones and the rhythm of my being after such profound loss. It asks how love can extend beyond all things, even death. I have become more aware that our bodies, voices, and expressions are an inheritance of our mother’s love and the love of our ancestors. There is an urgency in me to share this story and to connect with other souls tending to the complexities of love, loss, grief, and yearning."
As the work continues to evolve, it has become an homage to the love shared within our families and communities: queer love, tender love, ferocious love, and all the intricate, beautiful ways we care for one another. At its core is the belief that love is the most powerful force in the universe.
Rachel Helten / soma anima arts (Kinesis Dance Society)
Photos by Chen You-Wei 陳又維
TRAILER
ARTIST BIO
soma anima arts (Kinesis Dance Society) is a contemporary dance organization based in Vancouver, on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Peoples. Founded in 1986 by Greek-Canadian choreographer Paraskevas Terezakis, the company has built a legacy of bold, socially conscious performance. In 2024, a significant artistic shift took place as Vancouver-based dance artist Rachel Helten assumed leadership, ushering in a new era of compassionate, interdisciplinary creation.
Rachel’s vision is rooted in care, deep listening, and collaborative inquiry. Her work explores the connection between body and spirit, using vulnerability as a catalyst for transformation, healing, and liberation. Under her direction, soma anima arts embraces holistic well-being, artistic risk-taking, and social engagement, centering compassion, presence, and equity in all aspects of creation.
With 40 years of history, soma anima arts balances legacy with evolution. Our programming includes original choreographic works, residencies, public presentations in theatres and alternative spaces, and intergenerational, community-engaged workshops. We serve professional artists, youth, elders, emerging dance makers, all-abilities, and culturally diverse communities.
As a women-led organization, we foster environments where artists and participants can flourish through shared expression. Dance, for us, is a tool for belonging, connection, and resistance. Whether in the studio, on stage, or in community, we create spaces where embodied artmaking becomes a vehicle for reflection, dialogue, and imagining new ways of being in the world—with integrity, depth, and care at the heart of everything we do.
Performance History & Upcoming Performances
A 15-minute excerpt was presented in June 2025 at the Unity Consciousness Arts Festival in Vancouver, where the artists explored the interplay of live movement and projection. Following that presentation, Rachel and Ezequiel have continued to refine the relationship between the physical and digital, developing imagery and soundscapes that evoke the transformational quality of love as an elemental, shape-shifting force, exploring audience proximity and sensory immersion.
Rachel Helten with soma anima arts:
• Artemis’ Embrace, North Vancouver, North Vancouver Recreation & Culture, August 2024
• Work-in-progress showing of Bright Shadow, Vancouver, The Dance Centre, November 2024
• Gentle Glory, Vancouver, Co Erasgas’ Spring Salon Series, March 2025
• Artemis’ Embrace, Vancouver, The Dance Centre, April 2025
• What is us & eternal, Vancouver, Chimerik - Unity Consciousness Arts Festival, June 2025
• Gentle Glory, Port Moody, PoMo Arts - Art Out Side Festival, July 2025
• Gentle Glory, North Vancouver, October 2025
• Gentle Glory, Vancouver, The Dance Centre, February 2026
• Work-in-progress showing of Reverence for the Rebels, Vancouver, The Dance Centre, April 2026
• Gentle Glory, Vancouver, Dance West Network DADAO at AFV, May 2026
• Luminous Web, North Vancouver, North Vancouver Recreation & Culture, July 2026
• Bright Shadow, Burnaby, Shadbolt Centre for the Arts, November 2026
**Note: This list only includes works Rachel created and performed under the umbrella of our organization, since she was appointed as Artistic Director in April 2024. Rachel Helten has performed extensively in Canada and abroad as an individual artist. Her CV can be made available upon request. Kinesis Dance Society, under artistic direction of Paras Terezakis (1986-2024) has produced and performed over 40 works. A list can be made available upon request.
Project Created by: Rachel Helten, in collaboration with digital artist Ezequiel Peralta
Key Artistic Collaborators: Rachel Helten: AD, choreographer, performer
Ezequiel Peralta: digital artist, light designer
Performance type: THIS WORK IS BUILT FOR THEATRE, THIS WORK IS ADAPTABLE TO THEATRE OR OUTDOORS OR ALTERNATE VENUES /SPACES
How do you define this work: Interdisciplinary / contemporary dance
Length of performance: 30 minutes
Audience type: General Audience
Number of Performers on tour (including choreographer): 2
Number of Support Staff on Tour: 1
Availabilities: 2027 Spring Season (Mar - June),2027/28 Season,2028/29 Season
Project Details
Community Engagement
General Technical Requirements: What is us & eternal has minimal and flexible technical requirements, easily adaptable to most black box or studio theatre environment:
Projection:
• Use of the house projector and downstage screen.
• One secondary projector, placed downstage left, controlled from stage by the performer.
Sound:
• Playback from laptop (stereo input to house system).
• One section includes live acoustic guitar and voice; one microphone to capture both is ideal.
• Sound cues can be operated from the booth.
Lighting:
• Simple setup operated from booth. No complex transitions or custom plot required.
Required amount of time for tech set up: Quick setup (projector placement and sound check) and efficient strike: 1h or less
Alternative Venues: Due to the projection component, the work is best suited for blackbox/darkened spaces. However, the artists are highly adaptable and committed to working within the presenter’s production parameters. It can be suited for a gallery space, or if outdoors, at night time, when the sky is dark. The audience configuration is flexible and can adapt to a variety of settings. It may be presented in a traditional end-on theatre format, in-the-round, or in more intimate, site-adaptive environments. The configuration is largely dependent on the positioning of the screens and projectors, which shape the visual and spatial experience. We remain open and adaptable, welcoming discussion around different configurations to best suit the venue and deepen the audience’s immersive engagement. While this piece was first designed and performed with a seated audience, we can envision future versions that would be more site-adaptive (for a gallery for instance), that would invite gentle spatial movement or proximity-based engagement. Audiences’ attention may be guided through shifting sound, light and imagery that evoke the fluid motion of water and energy.
We offer a range of outreach activities designed to foster reflection, creativity, and dialogue, particularly around the theme central to What is us & eternal. These include Q&A / Artists’ talk-back sessions and workshops in contemporary dance and improvisation that integrate grounding techniques, sensory tuning, guided improvisation, choreographic tools, and repertory.
Community-level workshops are available for youth (including at-risk youth), emerging artists, and intergenerational groups. These workshops explore themes such as love, gentleness, transformation, and embodied storytelling through dance, music, and multimedia. They begin with gentle breathwork and sensory awareness and evolve into creative movement rooted in inner inquiry. Activities may include writing prompts, improvisation, collaborative choreography, and interactive tech-based components such as movement-responsive projections.
Workshops are adaptable for various age groups (teens to adults) and can be offered as one-time sessions or a short series. All bodies, abilities, and levels of experience are welcome.
We are particularly committed to working with underserved and at-risk youth populations, creating safe, imaginative spaces that encourage agency, voice, and expression through art.
Outreach Activities
Community engagement opportunities connected to What Is Us & Eternal can be offered in adaptable formats depending on the needs of the community, space, and resources available.
Option 1: Workshop with interactive technology
This version integrates contemporary dance and improvisation practices alongside interactive technology and/or projection when available. Facilitated by Rachel Helten and Ezequiel Peralta, the workshop engages participants in the core themes of the work: love, relationship, spirituality, and our interconnection with self, community, and the Earth. Rachel shares aspects of her choreographic and embodied research, and, when appropriate, excerpts of repertoire from the work are introduced as material for exploration. Participants are guided through experiential practices including movement improvisation, relational scores, breathwork, sensory attunement, poetry and reflective writing.
Option 2: Workshop without technology
This version focuses on grounded, accessible embodied practice without technological elements. It centres contemporary dance improvisation, relational awareness, and embodied inquiry into the same thematic territory. Rachel shares her research process and, where appropriate, adapted repertoire from the work is used as a starting point for movement exploration. Practices may also include breathwork, sensory attunement, guided dance improvisation, poetry, reflective writing and simple compositional scores.
Both options can be tailored for all ages and experience levels, or adapted into a more advanced workshop for professional or emerging dance artists.
Ezequiel Peralta may contribute live musical accompaniment, or pre-recorded soundscapes may be used depending on context. This workshop can be experienced in both indoor and outdoor or site-responsive contexts.
Scheduling is flexible, including single workshops, multi-day engagements, or residency-style formats. Fees vary depending on duration, number of facilitators, technical requirements, and scale of engagement.
Our estimated fee range is $3500–$9000, depending on the number of performances and the scope of community engagement activities involved.
Fees vary based on factors such as:
● Depth of engagement: from single-day workshops to multi-day co-creation labs with community members, local artists, or youth groups.
● Integration of community-created content into the performance or surrounding installation (requiring added preparation, rehearsal, or tech support).
● Site-specific performance adaptations, which may involve additional tech setup or interactive design time (e.g., calibrating visuals to unique venues).
● Collaborator involvement: fees may shift depending on whether the presentation includes additional artists (e.g., composer, digital artist, or poet) alongside Rachel Helten.
We aim to keep offerings flexible and collaborative to meet presenters' capacities, timelines, and community needs. We're happy to explore scaled options.
Contact information
Carline Dolmazon (soma anima arts exec. Director), admin@kinesisdance.org
https://kinesisdance.org/
https://www.instagram.com/somaanimaartskds/
https://www.facebook.com/somaanimaarts/