Photo: James Doyle

Outflow- Mixed Bill

A 50-minute mixed-bill performance that highlights rural and remote perspectives and expression through dance, music, poetry, and visual art. The program features three works that explore the outflow of language and knowledge as a basis for understanding our relationship to both physical and spiritual worlds.

ᗜ ᗫᑋ ᙝᗆᘇ (Water is Life) River Work: River Work is a conceptual multi-media performance piece created in collaboration between four Northern artists, Keilani Elizabeth Rose, and Diane Levesque, Shoshanna Godber and Shelby Richardson. The work investigates our relationship with the waterways surrounding our region and how they impact our reflections of self and identity. A short film created by Rose opens the performance, spoken by Elder Violet Bozoki. A monologue written and performed by Rose then opens the performance with three performers carrying bowls of river water. The script is formulated on Rose’s current journey into her Dakelh language and her passionate activism for clean drinking water in her home community. Richardson’s choreography is based both on the forms of Dakelh syllabics and the performers interaction with the water, in which they slowly bathe their bodies and costumes (created by Levesque) in the river water – a reference to the immersion of self in both the land and cultural knowledge. Throughout the performance projections created by Levesque saturate the stage, creating a visual link to her own conceptualizations of identity and ties to the confluence of the Nechako and Fraser Rivers.

The Annunciation: The Apocrypha of Hildegard of Bingen: Hildegard of Bingen was a medieval abbess and artist who suffered from migraines and visions that had an effect on her writings and compositions. In this piece, Dr. Lisa Dickson reads a poem she created based on a "remuneration on the effects of being touched by something that is so different, so far beyond our understanding that it produces a kind of glossolalia or hypergraphia as the mind struggles for words." Shelby Richardson and Sloane Zogas developed the choreography based on the translation of words into physical manifestations, mediating on the variance of sound, speed, and syntax. At the end of the piece the dancer is taken over by her manifestations, moving upwards towards a state of enlightenment.

Here It Is: ‘Here it is’ is a new work created by Anya Saugstad in response to a fear of death. It acknowledges our brief existence, and the longing and pain we hold in a world where we leave one at a time. This work started in Vancouver as a duet but has been adapted and expanded for Method Dance with a four person cast.

"That we are made to die, one at a time, here in the first draft of existence-that is the pain and the longing. That is the beautiful." (Sheila Heti from the book Pure Colour).

Method Dance Society

Photo: James Doyle

Project Created by: ᗜ ᗫᑋ ᙝᗆᘇ (Water is Life) River Work: Created and choreographed by Keilani Elizabeth Rose and Shelby Richardson, Music by Shoshanna Godber, Visuals and Costume by Diane Levesque.

The Annunciation: The Apocrypha of Hildegard of Bingen: Concept, Words, and Costume by Lisa Dickson, Choreographed by Shelby Richardson and Sloane Zogas, Music Nova Voce Choir.

Here It Is: Created by Anya Saugstad in collaboration with Sam Presley, Sara McGowan, Caitlin McCormick and Laura Buchana. Music by Stefan Nazarevich. 

Key Artistic Collaborators:

ᗜ ᗫᑋ ᙝᗆᘇ (Water is Life) River Work: Snachaliya (Special Gratitude), Elder Violet Bozoki (voice & story), Elder Patsy Seymour & Elder Phyllis Seymour (drums), Elder Edie Frederick & William Poser (language consultation).

The Annunciation: The Apocrypha of Hildegard of Bingen: Costume assistant Cori Ramsay and Keli Watson.

Performance type: This work is built for theatre, adaptable to outdoor & alternative spaces, Mixed program.

How do you define this work: Contemporary Dance, Indigenous, multi-displine, experimental

Length of performance: 50 minutes total - ᗜ ᗫᑋ ᙝᗆᘇ (Water is Life) River Work 20 mins, The Annunciation 10 mins, Here It Is 18 mins.

Audience type: General Audience

General Technical Requirements: ᗜ ᗫᑋ ᙝᗆᘇ (Water is Life) River Work: requires a video projector with downstage scrim (if possible). We would prefer that Shoshanna Godber (harpist) performs with us if possible and the harp requires mic. The dancers splash some water on stage throughout the performance. Marley dance floor.

The Annunciation: The Apocrypha of Hildegard of Bingen - wireless Mic for speaker needed. Marley dance floor.

Does the work require tech residency:
No, 2 hour tech max

Number of Performers on tour (including choreographer): 5 dancers, 1 speaker, 1 choreographer, 1 harpist (8)

Number of Support Staff on Tour: 0

Availabilities: 2024/25 season, & 2025/26 season

Method Dance Society is a Not-for-Profit dance company based on the unceded Indigenous Territory of the Lheidli T’enneh First Nation (Prince George, BC). Method seeks to increase public knowledge, appreciation and interest in contemporary dance by exhibiting and developing regional programs and performances in Northern B.C. Our projects and programs provide tools and resources for regional dance artists to practice their craft.

Method Dance Society seeks to explore the vernacular of contemporary form through movement and performance art and extending that knowledge to the public through performance and engagement.

Through collaborative projects and community engagement, we endeavour to create equitable, inclusive and educational content that showcases Canadian contemporary dance. With an emphasis on locality and relationality, our projects highlight conversations around Northern identity and contexts. Valuing the voices of artists and choreographers from all over British Columbia and the Northern Territories, Method provides fresh and ever-evolving perspectives on the role Contemporary Art plays in our everyday lives.

Performance History & Upcoming Performances

MOTHER: Sound/ Body. 15-06-2021. Digital Work Online.

Bodies in Isolation. 26-11-2021. Theatre Northwest, Prince George BC.

Shakespeare City. 15-07-2022. Theatre Northwest, Prince George BC.

Community Moves. 26-05-2023. Prince George Playhouse and Lheidli T'enneh Memorial Park, Prince George BC.

Dancing on the Edge Festival (Riverwork). 13-07-2023. Firehall Arts Centre, Vancouver, BC.

Conversations in Six. 09-11-2023. Prince George Playhouse, Prince George BC.

Community Moves. 08-06-2024. Prince George Playhouse and other venues, Prince George BC.

Project Details

Community Engagement

Community Outreach and Engagement for Artists (18+) - This workshop is led by artistic director Shelby Richardson and focuses on strategies on how to develop projects that are based in community engagement and outreach. During the workshop we look at defining and gathering community assets, shared-visioning tools, and co-created project building. $150/ hour. Maximum of 10 students per class.

Dance-based Community Workshops - Open to all bodies, all abilities, focused on improvised movement in the following age groups:

Adult - Open adult workshops focused largely on accessible movement practices. Maximum of 20 students per class.

Elementary School Youth - Fun interactive 1 hour workshops that focuses on movement-based activities, short demonstrations and educational information on contemporary dance. Maximum of 30 students per class.

High school Youth - Lecture Demonstrations that identify core concepts and contexts of the works presented. Each demonstration is followed by a Q & A session where students can ask questions and discuss the work together. Maximum of 30 students per class.

Contact information

Method Dance Society, admin@methoddance.ca

Website: https://www.methoddance.ca/
Instagram: @methoddancesociety
Facebook:
https://www.facebook.com/methoddancesociety/
Youtube: @methoddancesociety4024
https://www.youtube.com/channel/UCxZVxZFBvkTB6IIoagVOnzQ
Vimeo:
https://vimeo.com/user140660824