
Project Description
Our piece explores concepts of humanity, the balance between wants and fears, and interpersonal trust. Through investigations of character, movement, text and sound design our work aims to embody a canvas of powerful imagination. Taking shape in a fantastical world we use the ‘cowboy’ character to display extreme emotions, cycling through versions of happiness, sadness, and anger, while examining different relationships to ‘hero’ and ‘villain’ archetypes. To elevate these characters, our focus has been dramatics by way of extreme physicality, where athleticism stretches our humanity to release and expose state. As settler and refugee-descended folk, this cowboy perspective calls into question our own sense of self-preservation, of distrust and defensiveness as we confront the privilege and structure we’ve come to know.
Company Profile
CAMP is an artist run entity that is focused on the collaborative process of art making. Our mandate is to promote dialogue and care between artists throughout each step of the creative process and to make dance in a social and circular sharing of ideas, while supporting each collaborators artistic development, use of voice, and furthering of identity. We work to construct fantastical worlds of dance theatre that embrace risk and relatability, cultivating a performance space that emulates the full and messy experience of human connection. Leaning into the theatrical elements of performance by finding extremes, rich with artifice, aesthetic, fantasy, exaggeration, and comedy, we present audiences with hyper-performative environments, as a magnified product of our collaborative interactions
Choreographer and Key Collaborators
Performers/music/costuming:
Brenna Metzmeier, Eowynn Enquist, Isak Enquist, Sarah Formosa, and Ted Littlemore
Lighting Designer: Jonathan Kim
Stage Manager: TBA
Sound Design: Stefan Nazarevich, Isak Enquist and Ted Littlemore
Outside Eyes: Susan Elliot, Justine A. Chambers
Outreach Activities
Advance Prep for live performance: Community-level workshops for adults and aspiring young dancers before the performance. Connect with local studios through our Instagram page – sharing ‘behind the scenes’ images and promo footage. Post-show talk back.
We are eager to engage with young aspiring dance artists in rural communities, offering insight to the bridge between community/studio dance and professional dance communities. We are all from various rural and metropolitan upbringings, and have multiple perspectives of how to engage and take part in furthering practices of dance. Classes for the community: Offering workshops in Somatic/Improvisation, Contemporary Floorwork Classes, Ballet Technique, Martial Arts and Drag, as well as repertoire and choreography. These classes may be provided to adults or aspiring young dance and performing artists. We are able to offer drop-in rates, or a sliding fee for multiple workshops. Open Dress Rehearsals to school age students: Providing insight to a working environment of professional dance and theatre contexts as well as creating environments where dance can be more financially accessible to all persons.
Community Engagement
We would like to connect with local schools - welcoming classes and giving the ability to sit-in to our stage rehearsals as well as potential for Q+A sessions with students and teachers. As a company we would like to work with art teachers, understanding how our influence could engage with their curriculum and goals for the classes. We would also like to offer the opportunity for 1-3 aspiring dancers to join us in the theatre for our tech rehearsals to learn about staging, lighting and witness the behind the scenes work that goes into the production of a show. We strongly believe that outreach and community engagement is a fundamental aspect of touring and sharing art with communities, as well as something that requires dedicated effort. The opportunity to share in an open dialogue between artist and community members is an essential exchange for the development of this artform - understanding how we as traveling artists can share our experiences, and how we can be receptive to the abundant knowledge and information that each community has.
Past and
Upcoming performances
Work completed to date: Completed
Scotiabank Dance Centre’s 12 Minutes Max - mentorship from Dramaturg Raïna von Waldenburg and Choreographer Idan Cohen (February 18th, 2020).
Completed - Rough Cuts showing at Dance Victoria Summer Residency - mentorship from Susan Elliot (August 7th, 2020).
Pending - Dancing on the Edge Covid Commision Application June 2020.
Pending - 20th Anniversary Commissions: Scotiabank Dance Centre 2021-2022.
FULL LENGTH
Please contact artist for password.
isakenquist@gmail.com
Project Details
Type of Work
Dance Theatre – Experimental/Edgy – Young audiences/families
Performance Type
This work is built for a theatre. Full length.
We are interested in the discussion around alternative venues, and open to reworking segments of our piece for performance opportunities.
Audience Type
General Audience. (strobe light warning)
Length in minutes:
55-65min approximately
# of Performers on Tour
5
# of Support Staff on Tour
1 Lighting Designer, 1 Stage Manager
Fee range:
Less than $1000 for community workshops
Available to tour:
We are a newly formed company, eager to engage with touring opportunities in the future. At this point we are looking to create relationships with presenters around BC, to discuss what performances could look like in the following seasons.
2021-2023
Technical Requirements
Props: 1 small and 1 large table, 5 chairs, coat rack, cards, dolls, iPhone flashlight, microphone, old fashioned radio, 10 coats, 5 shirts, guitar
Technical Residency
1 day of technical
Artist Name
CAMP
Location
Vancouver BC, Canada
Contact Person
Isak Enquist
Email
isakenquist@gmail.com
Social Media