Shion Skye Carter

Shion Skye Carter (she/they) is a dance artist originally from Tajimi, Japan, who lives and works in so-called Vancouver, Canada, on the unceded, ancestral territories of the Musqueam, Squamish and Tsleil-Waututh Nations. Through choreography hybridized with heritage artforms that interact with digital and sculptural objects, Shion’s work looks inward to the facets of her intersectional identity as a lens to process the world around her. Shion has worked with artists including Vanessa Goodman (Action at a Distance), Wen Wei Dance, Ziyian Kwan (Dumb Instrument Dance), and Stefan Nazarevich as the interdisciplinary duo olive theory. She holds a BFA from Simon Fraser University, and is the 2022 recipient of the Iris Garland Emerging Choreographer Award.

Photo: Brenda Kent

Pictured on a beach from the hips up, a person with a shaved head wearing a dark green/brown long-sleeve turtleneck and orange skirt or pants looks into the camera with their arms held up and twisted around their head.

Movement + Calligraphy Workshop


Movement + Calligraphy Workshop is a community outreach project that brings together the traditional art form of Japanese calligraphy with improvised dance, where participants embody the brushstrokes of a calligraphy piece they create. Derived from Shion’s own choreographic practice integrating calligraphy, the workshop provides a fun, welcoming learning experience that generates community connection, sharing of ancestral knowledge, discussions of cultural traditions and experiences, and taking intentional time to connect the mind and body.

During the creation of her short dance film The Kiln Project on Galiano Island in 2021, Shion realized the buried history of Japanese Canadian communities that existed on Galiano and the surrounding Gulf Islands. Diving deeper into this history through developing the Movement + Calligraphy Workshop, the community friendships and camaraderie that existed between Japanese and Indigenous communities, and their shared fishing culture, also came to the surface. These histories and human relationships are important, and cannot be forgotten; the goal of this workshop is to cultivate an experience of artistic exploration and expression through movement, while commemorating these histories and reconnecting to them through contemporary methods. The hope is to spark the participants’ curiosities in Japanese art and culture, like calligraphy, and encourage youth to discover the Japanese and Indigenous histories of the islands they live on while reconnecting to their own lineage and personal experiences.

This open-level workshop invites participants of all backgrounds, particularly encouraging IBPOC and LGBTQIA2S+ youth and adults to participate. The intention is to bring this Movement + Calligraphy Workshop to rural locations, where folks may live in smaller communities which often have fewer interdisciplinary arts programming compared to larger cities. In particular, the Gulf Islands off the coast of Vancouver, BC and the Lower Mainland are of interest, with the history of Japanese Canadian communities that flourished there prior to the internment of Japanese Canadians by the Canadian government in 1942. The following locations, which have historical sites connected to Japanese Canadian history, would be great locations to carry out this workshop:

Traditional territories of the Tsawwassen, Quw’utsun, Semiahmoo, Coast Salish, Penelakut, Hwlitsum, and other Hul’qumi’num-speaking peoples

Galiano Island, BC

Salt Spring Island, BC

Mayne Island, BC

Traditional territories of the Lekwungen/Songhees people, and the Snuneymuxw people

Victoria, BC

Nanaimo, BC

This workshop encourages youth ages 12+, up to adults, to participate in the event. The workshop would be free for participants (funding dependent), and the calligraphy and movement elements are inclusive of varying mobile abilities: all activities can be done standing, sitting, in mobility vehicles etc. (would need to secure venues with mobile accessibility).


Lead artist: Shion Skye Carter: dance artist, choreographer, and educator

Key artist collaborators: Kisyuu: Japanese calligraphy educator, Filmmaker (TBD)

Audience:

Ages 12+

Encouraging IBPOC and LGBTQIA2S+ youth and adults to participate

This workshop is flexible, and adaptable. The workshop can be carried out over 2 days instead of a longer one-day session, and done in multiple iterations with just youth participants, and/or involving adults/family/caretakers. Folks from diverse backgrounds, who have an interest in learning Japanese calligraphy and improvised movement, are encouraged to participate.

Length: 2.5 hours (3.5 hrs including the social time, which is optional)

The workshop would ideally be followed by casual social time for people to connect, approx. 1 hour

Space required: Studio space or community center for the Movement + Calligraphy Workshop. The workshop can be adjusted to take place at an outdoor space with a flat, grassy environment (if possible to play music on a portable speaker, and set up tables for calligraphy. Also weather-permitting).

If possible, a tour/history conversation at a historical Japanese site at the location. Some ideas for locations include:
Galiano Island, BC → Japanese charcoal pit kiln

Salt Spring Island, BC → Japanese charcoal pit kiln

Mayne Island, BC → Japanese gardens

Victoria, BC → Esquimalt Gorge Park, or Ross Bay Cemetery

Nanaimo, BC → TBD

Shion and her team are seeking partnership and support from local organizations to start conversations around the possibilities of carrying out tours

Preparation required: 1 hour to set up, 1 hour to clean-up

Minimal on site tech requirements: Tables, Chairs, Sink, for cleaning calligraphy materials afterwards, Kitchen/kitchenette (mainly refrigerator) would be ideal, for storing food/drinks to provide to participants in the post-workshop social time

Possible community engagement: TBD

Availability: 2024 (late Spring, early Summer, or early Fall), 2025

Number of performers on tour:  3 (Shion, Kisyuu, videographer - TBD)

Number of support staff: 1 production support person (TBD)

Workshop Outline

To start: Conversations, connecting with community members, particularly Indigenous community members, on each of these islands

Participants and facilitators gather at a historical Japanese site

Introductions, welcome, wellness check-in

Land acknowledgement and sharing of history by a local Indigenous community member

Honorarium provided

Tour of Japanese historical site, sharing of Japanese Canadian history

Shion is interested in providing a paid apprenticeship opportunity to 1-2 local youth who have a connection to this history, to develop a guided tour with assistance from a local who is knowledgeable about this history

Transport to a studio space or community center for the Movement + Calligraphy Workshop

1-hour calligraphy portion of the workshop

15-minute break

1-hour movement workshop, embodying calligraphy

15-minute break

*Idea, but not required: Transport back to the historical Japanese site

Participants who would like to take part can embody their calligraphy movement ideas in that outdoor space, can be part of a dance film

Filmed by a videographer + youth filmmakers (TBD)

Dance footage can documented on each of the islands, and edited together into a dance film that archives the experiences on all of the islands

Post-workshop social time

Food and beverages provided

Casual social time for people to connect, build new relationships, have discussions, and have fun!