Geometry of Power

A dance-theatre performance that delves deeper into the historical and ongoing impacts of the 1884 Berlin Conference.

This educational dance-theatre performance that delves deeper into the historical and ongoing impacts of the 1884 Berlin Conference, exploring its legacy of division in Africa and connecting it to contemporary global issues of unity, self-determination, and collective action. The show aims to empower audiences to recognize their role in shaping a more equitable future.

1. Structure of the Show

As a multidisciplinary dance-theatre work, educating the Vancouver public about a historical event via:

  • Dance: A fusion of Traditional African Dance (specific regional styles as relevant to the narrative), Contemporary Dance, Hip-Hop, elements of Krump and other street styles to represent resilience and resistance.

  • Narrative/Spoken Word: Use of pre-recorded narration, live spoken word, and projected text to provide historical context, personal testimonies, and calls to action.

  • Visuals: Projection mapping of historical documents (maps, treaties), archival footage, contemporary imagery, and evocative abstract visuals to enhance storytelling.

  • Soundscape: Original musical compositions blending traditional African rhythms, contemporary scores, sound effects, and recorded speeches/interviews.

  • Lighting Design: Dynamic lighting to evoke mood, shift time periods, and highlight specific performers or narrative points.

  • Historical Foundation (Act 1 Expansion): A deeper dive into the lead-up to the Berlin Conference, the Conference itself (the participants, the rationale, the outcome), and the immediate aftermath – the "Scramble for Africa" and its initial colonial impact.

  • The Seeds of Division: Exploring how the arbitrarily drawn borders impacted existing ethnic groups, trade routes, and social structures, leading to internal conflicts and political instability that persist.

  • Legacy and Neo-Colonialism: Examining the long-term economic, political, and social consequences, including resource exploitation, political interference, and the challenges of nation-building in post-colonial Africa.

  • Resilience and Resistance: Highlighting historical and contemporary movements of resistance, unity, and self-determination within Africa and the diaspora.

  • Global Interconnectedness-: Drawing parallels between colonial legacies and current global challenges (e.g., climate change, economic inequality, migration), emphasizing that these issues are not isolated but interconnected.

  • The Call to Action: "G.P": The final act will shift from historical reflection to a powerful, hopeful, and urgent call for collective responsibility and action from both African and non-African communities to dismantle systemic inequities and build a more just world.

  • Ensemble: An ensemble of 8 dancers, allowing for powerful group choreography as well as nuanced individual performances representing different perspectives or roles within the narrative.

Izo Dreamchaser

Isaac Gasangwa, also known as Izo Dreamchaser, is a distinguished educator, creator, and ambassador of African cultures in Vancouver. With a passion for promoting African heritage, he founded Afro-Beats Van, a renowned African dance company that offers dance classes and performance opportunities to Black artists. In 2017, Isaac established Afrobeats Van with the aim of introducing, educating, and inspiring Vancouverites to connect with African culture and history while addressing pressing social issues such as racism and police brutality.

Hailing from Rwanda, Isaac grew up in a society where dance was not merely considered an "Art" but rather a way of life. He embarked on his professional dance journey in 2007 and, with the support of his community, organized Rwanda's first-ever dance festival in 2011. Additionally, he established the country's inaugural dance studio at Club Rafiki, a community center. This dance studio played a significant role in the post-genocide rebuilding efforts of Rwanda by providing a purposeful outlet for orphans and keeping them off the streets.

Upon relocating to Vancouver in 2014, Isaac was introduced to a new world of dance. H dedicated himself to training in various styles such as Hip-hop, Jazz, house, Tap, contemporary, martial arts, and gymnastics. However, he soon recognized the disconcerting lack of diversity and African representation within the Vancouver dance scene. Driven by his passion for change, Isaac took it upon himself to create opportunities and establish a platform for African dance enthusiasts.

One of the notable events he initiated is the annual BVAN (Black Vancouver Artistry Night), an awards ceremony celebrating local creatives in the dance category. Furthermore, in Sept 2023,

Isaac premiered his first full production titled "The African Dream," which received overwhelming support with sold-out shows and standing ovations.

In his own words, Isaac expresses his pride in being a pioneer of African culture in Vancouver and his commitment to educating the community about the rich histories, diverse cultures, and captivating dances of his beloved African continent.

Continuing his role as a pioneer of African dance in Vancouver, Isaac currently teaches weekly drop-in dance classes and trains his professional dance team known as the "Elite Squad." He remains dedicated to creating shows that are not only entertaining but also educational and inspiring. Through his unwavering efforts, Isaac Gasangwa is making a significant impact on showcasing and preserving African heritage within the vibrant city of Vancouver.

Contact Information

Isaac Gasangwa, gasangwa.isaac@yahoo.ca

Website

Instagram

Jouer Dehors

Photo: Joey

Details of Geometry of Power:

Year of creation: 2025

Choreographer: Isaac Gasangwa

Key collaborators:

Assistant choreographer: Olena Alefir

LYS KEZA GASANGWA, Co-Director

 Sahaj Chadha, Lead Dancer

ALicia Luna, Captain

Narma Tha. Programming

Dancers: David Longas, Maria Del Mar, Blanca Castelo

Length of work: 75 minutes

Preparation time required on site: 2 hours

Technical requirements required on-site: sound system

Space required: non-slippery floor surface

Availability: Available in 2026 and beyond, and in February for Black History Month celebrations.

Community Engagement

Workshop and Classes. Contact the artist for details: gasangwa.isaac@yahoo.ca

and visit: AfroBeats Van